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Articles Written by: CHRIS WILLMAN
It was lights out but electricity on for NCIS this week, with a power-outage premise tailor-made to give every member of the ensemble ample opportunity to generate their own voltage. Much like the Halloween episode from a few weeks back, “Power Down” ...
If you imagine a soundtrack for 1950s-60s beat writer Jack Kerouac, it’s surely bebop, not country-folk. But that didn’t stop Death Cab for Cutie’s Benjamin Gibbard and Son Volt’s Jay Farrar from collaborating on One Fast Move or I’m Gone, a rootsy set ...
From CHRIS WILLMAN,
Rolling Stone,
16 Nov 2009
1. JOHNNY CASH AT FOLSOM PRISON
Johnny Cash
Is there any album in any genre that has ascended to a higher level of myth than Johnny Cash's 1968 comeback LP, immortalized in 2005 biopic Walk the Line? When the Man in Black stood in solidarity with the ...
With “Endgame,” NCIS found itself “Kai-jacked,” as Tony DiNozzo would put it, by a spy-versus-spy episode. The villainess, Lee Wuan Kai (Kelly Hu), was right out of a Bond movie, between her eminently kissable lips (again, as pointed out by the highly ...
We have been to the promised land. We have found the lost ark. We have reached the legendary land of Shangri-la. We refer, of course, to the no-longer-mythical realm of Gibbs’ living room, unveiled, as promised, in "Outlaws and In-Laws," episode 6 of ...
NCIS fans who’ve been waiting for to get a chance to really show his stuff have been well-rewarded lately. First came a season 7 premiere that seemed almost expressly designed to show off his acting chops. Now, with a song on the NCIS soundtrack ...
For any old-school NCIS fans who’ve been concerned that the show’s gotten caught up in terrorist/espionage plots or too much zigging and zagging with Ziva, the Halloween episode was all trick-less treat. “Code of Conduct” was a reset to NCIS at its ...
The second NCIS soundtrack (available Nov. 3) is mostly made up of exclusive cuts featured in the current seventh season, including Bob Dylan’s “California,” an outtake from the mid-’60s Bringing It All Back Home sessions that was widely bootlegged ...
Joss Stone has been publicly battling her label for some time, and she may not be done, with a first single that ends with her wailing ''Free me, EMI!'' Any tiffs mostly get translated into romantic tension, though, and the first half of her fourth ...
Lyle Lovett's latest is something of a
hybrid: is half self-penned material, leaning toward upbeat levity (if not outright comedy), and half an album of dead-serious ballads from his favorite Texas songwriters. The cover tunes written by the likes of ...
