Articles Written by:    BERNARD HOLLAND     

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Music Review: The Clarinet, Speaking in Many Voices and Accents

When composers look for important voices among the family of wind instruments, they come away, more often than not, with a clarinet. It has many colors. Its acoustical presence makes it a good public speaker. It can sing simply or be complicated on ...

From BERNARD HOLLAND, The New York Times,  19 May 2008
Related Topics: Mitsuko Uchida,  Benny Goodman,  United Nations,  Martin Frost

Music Review | Yale at Carnegie: Moving Out of the Ivy Halls to Perform at Carnegie

“Yale at Carnegie” offered different come-ons to different constituencies on Sunday night. The concert, the fifth in a series bringing the university’s school of music to Carnegie Hall, appealed first to the curious. Prokofiev’s B flat Piano Concerto ...

From BERNARD HOLLAND, The New York Times,  5 May 2008

Jessye Norman Returns, Serenading the Seasons

Jessye Norman, a busy and faithful participant in New York’s vocal world for so many years, has not been around much in recent seasons. She returned to Carnegie Hall on Thursday in a recital titled “The Five Seasons.” It consisted, she explained, of ...

From BERNARD HOLLAND, The New York Times,  2 May 2008
Related Topics: Jessye Norman,  Harold Arlen,  Michel Legrand,  Richard Danielpour,  Kurt Weill

Music Review: Opening a Window on a Forgotten Work and Feeling That Fresh Air Rush In

Certain revolutions speak in small voices yet describe profound and sudden change. “L’Histoire du Soldat,” Stravinsky’s traveling music-theater show, was one of them, saying in few words and not that many notes what music in 1918 no longer was and at ...

From BERNARD HOLLAND, The New York Times,  1 May 2008
Related Topics: Alan Alda,  Noah Wyle,  Ogden Nash,  Alan Kay

Music Review | Bryn Terfel: Songs and Poems Extoll a Green and Pleasant Land

Bryn Terfel’s recital at Carnegie Hall on Friday evening described the wave of nostalgia that swept across Edwardian music. Pastoral England was disappearing and an industrial England replacing it, but maybe a great empire could have it both ways: ...

From BERNARD HOLLAND, The New York Times,  27 Apr 2008
Related Topics: Bryn Terfel,  Malcolm Martineau,  Ralph Vaughan Williams,  John Ireland,  John Masefield

Music Review: Stravinsky Got Off to an Early Start in Recycling

For anyone as devoted to money as Igor Stravinsky, the Russian Revolution came as a terrible shock. Hello, proletariat. Goodbye, royalties. The ruling classes disappeared into the chaos, and with them the copyrights that protected such surefire ...

From BERNARD HOLLAND, The New York Times,  26 Apr 2008
Related Topics: Igor Stravinsky

Music Review | 'Our Town': Leaving High Drama Behind for a Trip to Grover’s Corners

Modesty and a taste for the ordinary are not opera’s usual ingredients. Thornton Wilder’s “Our Town,” in the operatic version by Ned Rorem, came to the Juilliard Opera Center on Wednesday night. Its just-folks serenity could only be American. There ...

From BERNARD HOLLAND, The New York Times,  24 Apr 2008
Related Topics: Thornton Wilder,  Aaron Copland,  Leonard Bernstein

Music Review | Stravinsky Festival: Stravinsky’s Mass Resounds in Armory

The performing arts have played shy suitor to the Park Avenue Armory. There have been visits to the front door, but a reluctance to knock. Think of a concert Saturday in the Miller Theater’s Stravinsky Festival as a first date. The Vox Vocal Ensemble ...

From BERNARD HOLLAND, The New York Times,  21 Apr 2008
Related Topics: Aldous Huxley

Music Review: Variations on the Violin, All in the Key of Brahms

For Anne-Sophie Mutter the saying “Make every note count” becomes less a vague cliché and more a matter of fact. Her violin playing has an imagination, a curiosity and a near-endless reserve of psychic energy that made each phrase of her all-Brahms ...

From BERNARD HOLLAND, The New York Times,  16 Apr 2008
Related Topics: Isaac Stern

Music Review: Songs in Which Relative Quiet Ruled

I remember the American soprano Kathleen Battle as having one of the purest voices I have ever heard. Most New Yorkers have not had much chance to hear it firsthand since her famous run-in with Joseph Volpe and the Metropolitan Opera in 1994. Kathleen ...

From BERNARD HOLLAND, The New York Times,  14 Apr 2008
Related Topics: Kathleen Battle,  Joseph Volpe

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