Articles Written by:    BEN RATLIFF     

Music Review | 'The Long Count': Mayans, Baseball, Twins, All Coexisting in Music

The multimedia orchestral-rock song cycle “The Long Count” is theoretically about the prehistory of time, ballgames and twins. Practically, it’s about a semipopular indie-rock band with some contemporary classical-music experience not embarrassing ...

From BEN RATLIFF, The New York Times,  29 Oct 2009
Related Topics: Matthew Ritchie,  Brooklyn Academy of Music,  Cincinnati Reds,  New York Yankees,  Pete Rose

Music Review | Brad Paisley: Unabashed Chicken-Picking Dudeness

In a version of Don Henley’s “Boys of Summer” on Wednesday night at Madison Square Garden, the country star Brad Paisley started his last and longest guitar solo of the night. He took long steps toward stage right, scurried down a ramp and ambled down ...

From BEN RATLIFF, International Herald Tribune,  23 Oct 2009
Related Topics: Brad Paisley,  Don Henley,  James Burton,  Mark Knopfler,  Tony Bennett

Music Review | Blackout: Jazz and Funk Roots, Joyfully Unearthed

Stefon Harris stood before a vibraphone and a marimba on Thursday night at Dizzy’s Club Coca-Cola, the instruments positioned at right angles. That’s unusual in general, if usual for him. But the red keytar sitting on the side of the stage had a ...

From BEN RATLIFF, International Herald Tribune,  23 Oct 2009
Related Topics: Stefon Harris,  Jackie McLean,  Miles Davis,  Thelonious Monk,  Stevie Wonder

Music Review | R. Kelly: A Stream of Medleys, a Flash of Sincerity

R. Kelly was aiming to have a new album, “Untitled” (Jive), out by now. Its release has been postponed until Dec. 1, but the dates for his Ladies Make Some Noise! tour stayed fixed, and the delay of the record either freed or forced him to put more ...

From BEN RATLIFF, The New York Times,  18 Oct 2009
Related Topics: R. Kelly,  Michael Jackson,  Sam Cooke

Music: Misterioso No More: Book Debunks Image of a Jazz Giant

Let’s say goodbye forever to an old jazz myth: Thelonious Monk as inexplicable mad genius. Thelonious Monk, backstage at the Village Gate in 1962. Monk, on keyboard, with the saxophonist Charlie Rouse in an undated photo. Throughout much of his music ...

From BEN RATLIFF, The New York Times,  16 Oct 2009
Related Topics: Thelonious Monk,  University of Southern California

Music Review | Kylie Minogue: Coming in for a Landing After All These Years

The Australian pop singer Kylie Minogue has been a very big banana in other parts of the world since the late 1980s. On Tuesday, at the Hammerstein Ballroom, she played the final date of what was, unbelievably, her first-ever North American tour. The ...

From BEN RATLIFF, The New York Times,  14 Oct 2009
Related Topics: Kylie Minogue,  Madonna,  Hammerstein Ballroom,  Jean-Paul Gaultier

Playlist: Doom Metal, Melodic Jazz, Boiled-Down Funk

The latest on the arts, coverage of live events, critical reviews, multimedia extravaganzas and much more. Join the discussion. The jazz singer Fay Victor. Her new record is The FreeSong Suite. Coati Mundi, a k a Andy Hernandez, who has returned to ...

From BEN RATLIFF, The New York Times,  7 Oct 2009
Related Topics: Scott Kelly (musician),  Melvins (musician),  Myspace,  Animal Collective (musician),  Betty Carter

Music Review | Meshell Ndegeocello: Ugly Truths, Proclaimed Seductively

Meshell Ndegeocello sat down at center stage on a drummer’s stool several times during her show at the Highline Ballroom on Tuesday. The words to her songs make a blood sport out of honesty; getting closer to the crowd’s level gives her a break from ...

From BEN RATLIFF, The New York Times,  7 Oct 2009
Related Topics: MTV

Music Review: Raising Roof and Headstone for Pioneering Pianist

A definition of righteousness: about 75 people, crammed into the West Village club Smalls, watching a series of pianists play James P. Johnson on a grand piano in a benefit concert to buy a headstone for his grave. Aaron Diehl performing in front of a ...

From BEN RATLIFF, The New York Times,  5 Oct 2009
Related Topics: James P. Johnson,  Dick Hyman,  Duke Ellington,  Thelonious Monk,  Scott Brown

Music Review | Kurt Rosenwinkel: A Jazz Guitarist Applies His Method to the Classics

It could be argued that the practice of jazz in the last 10 years has been more original than at any time in the past. By original I don’t mean unprecedented; that’s a word for publicists, not musicians. I mean newly composed, rather than covering old ...

From BEN RATLIFF, The New York Times,  2 Oct 2009
Related Topics: Eric Revis (musician)

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